The Gilded
Serpent presents...
Workshop
& Show
with
Bert and
Amaya
Produced by Leea of Belly Dance!
at El Morocco on date
Report by Monica
Photos by Ed Lampo
(except where indicated)

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Leea and husband Ed Lampo
photo by Lynette |
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It
was a mild afternoon in suburban Pleasant Hill, California, as over
thirty dancers filed into the El
Morocco Restaurant. , Usually empty during the day save
for the prep cooks, the atmospheric restaurant was filled with dancers
who were there to study with dance masters Bert Balladine and Amaya!
Leea Aziz
of Studio Belly Dance! sponsored her dance "grandfather",
Bert
Balladine,
who was the teacher of Leea's late teacher, Sula.
He taught a fun hour and a half section of the workshop. Bert
did not focus on technique or specific moves. After leading us
through a simple warm-up, and some hand and arm movements, he
honed in on our attitudes. “He makes you feel special and
sexy!”, one participant was overheard to exclaim.
Bert
aims to pull real expression out of dancers, and focuses on
concepts that seem simple but are often overlooked.
For example, he offered
several short combinations that focused on theatrically walking
on and off a stage or the dance floor. It is important to bring
a flair for the dramatic even into how you execute a stage walk,
and Bert continually reminded us that we are onstage from the
moment we are seen by our audiences until the last second we disappear
from their view.
Amaya
leading class
Dancers in class behind Amaya (L to R): Roya, Monica, Nasirah,
Bahijah, Leila, Margo |
After
a short break for water and snack, Amaya
of New Mexico took over. After Bert’s low-key
presentation,
her teaching seemed like a whirlwind. Using upbeat, modern techno
music, Amaya had us shimmying like mad. Amaya’s
class was entertaining, and her experience teaching large groups
was apparent.
She
is aware of her teaching space, is great about shifting lines
so everyone gets a chance to be in front, and is a very communicative
instructor.
When a number
of students were clearly not quite understanding a move, she would
stop and break it down for them, but for the most part all of
us just danced along with her. After a half an hour of fast moves
and combos, she progressed on to some of her unparalleled arm
and hand movements, and then formed us into a circle to work on
some combinations.
It was a pleasure
to have this New Mexico dancer in town to teach us, and it was
also wonderful to see Bert share his gifted teaching and theatrically
inspired views of Middle Eastern Dance. As we left the workshop
to get ready for the evening dinner show, our anticipation of
Bert and Amaya’s upcoming duet performance was high! |
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Class
Back Row: Kalifa, Roya, Salena, Margo, Monica, Numa'ir,
Jasmine, Leyla, Morganne, unknown, Tamara, Paula, Julan
Amira, Naiya, Anisa.
Middle
row: Leea, Shaleena, Johari, Bahijah, Khalida, Malika,
Nasirah, Jilleea, Kelly, Shaia, Anusha.
Front
row: Bert, Amaya, Serpiente (braids), Tabitha
(reddish hair leaning in with Serpiente) |
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Amaya's
unique costume-
pants & pleated lame veil. |
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Khalida
dancing is wrapped in light blue veil. Watching at
left are Jilleea and
Leea. The owner of El Morocco, Fadil
Shaheen is
singing with musicians Fouad,
Nazir, and Reda. |
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Bert
makes
a cameo appearance to the delight of all! |
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Bahijah,
aka Zamon
Anusha |
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Numa'ir
and Naiya
Nasirah |
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Jilleea |
Leea |
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Jilleea's
money-clad torso, Bert, Lynette,
Carol Fitzsimmons, and fan in background.
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Jasmine,
Leea, Monica,
Khalida, Numa'ir, Naiya
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A
successful display of
audience participation.
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photos
by Lynette below |
Carol,
Bert, Kalifa |
Wash
those hands before you dig in! |
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Kalifa,
Najia, Bert, Amaya |
Leea |
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Here
comes grandma... |
...got
her! |
The
woman in the photo hugging Jill is her granny,
Leea's mom, who used the name Zenouba
when she was dancing! |
Have
a comment? Send us a letter!
Check the "Letters to the Editor"
for other possible viewpoints!
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