I recently read an article written for aspiring professional dancers on HIp Circle. It covered the four corner posts of our profession; Commitment (money, physical effort, time), Talent, Presence and Determination. These are indeed the very essence of what makes a good dancer great. But there are a whole slew of other details, The Devil's Details, that can make or break a dancer, once she arrives on the circuit. Those are the topics I would like to cover in this article; the dirty little details no one talks about much, but that should be discussed.

It is difficult for newcomers to pick up many of the nuances a seasoned performer learns the hard way over time. That is why I decided to put together a quick and dirty list - to help dancers just breaking in do justice to our profession.

I am also a great believer in Murphy's Law - if something can go wrong, it will. (You will see numerous references to it throughout.) It is better to be prepared than unwittingly succumb to Murphy's random whims. When a dancer looks good, she, or another, will get called back to perform again. When she looks bad, customers might be turned off to our lovely art form forever. Therefore, a bad dancer not only ruins things for herself, but for all of us.

Often, the amount of fun a dancer has when she performs is directly proportional to her business skills, not her artistic talent. During what can be stressful hours of over-enthusiastic partying, it literally pays to have mastered the business side of our beloved profession. Because if a dancer can translate one job into a steady flow of paying engagements, she can actually turn a profit instead of just dancing for fun.

I have broken up my words of wisdom into 5 sections;

• Booking a Party,
• Booking Agents,
• Professional versus Amateur,
• What Not to Do and
• Beauty.

I didn’t originally intend for this to be so long, but once I got going I realized there was a lot to cover. For the professionals out there, if I have missed something or you don’t agree with me, please send me an email and I will add your comments to a future update.

mere example gig form

• Nationality of customers (Middle Eastern, Indian, Westerners, etc): Different cultures will have slightly different expectations from your show. You must learn what those differences are (a discussion far beyond the scope of this simple article). Knowing who your audience is can help you choose appropriate music, costumes, props, etc.
• Place: Besides the location, ask about parking, directions and for a telephone number of the venue (in case you get lost, are late or have a last minute question). When you are in a rush, knowing where to park in advance can be a lifesaver, particularly if it’s a busy night or a crowded area. Do you know the area? Is it safe? Will you need to bring a companion/body guard? How long will it take you to get there? Add 20 minutes for Murphy’s Law.
• Time window / flexibility: Do you have another place to go to before or afterwards? Do you mind sitting around waiting? Does your customer need for you to be flexible? How will waiting affect the price you quote? (Your time should mean extra money.)
• Travel allowance: Is the place far away? Will you need to charge extra for travel or a hotel room to spend the night?
• Type of party: Will it be family friendly, a birthday, wedding, shower, bachelor party, etc? Will you need to bring something special for the guest of honor (a fez or sultan hat, an extra hip scarf)? It saves embarrassment on both sides to mention up front (on your web site, etc.) whether you will or will not do all-male parties. 
• Costume requirements: Are the guests conservative (religious considerations)? Will you be expected to change your costume for any reason (appear several times in front of the same audience, perform a complete Middle Eastern style show, etc.)? Do they have a color preference (the hostess is having a black and white party, she hates purple…)?
• Payment: Don’t be shy. Now is the time to nail down the amount, method (cash, check, deposit), time of payment (at the time of booking, before you go on, after you finish, at the end of the evening) and who will be paying you (the booker, the restaurant owner, the customer, their best friend who hired you as the surprise for the party, the musician…). There can be any number of excuses if someone doesn’t want to pay, so it is important to set everything straight before you go anywhere.
• Music: What will you be dancing to, live music or a CD?  If it’s a CD – ask if the customer has a country or style preference. Will you be using props in your show? Will you need special music? How long would the customer like the show to be (also a payment factor)? Will you be expected to do more than one set? It is always wise to burn an individual CD per show and put your name on it. Don’t leave extra tracks at the end that a DJ would have to scramble to stop. There may not be a DJ… If you burn your own CDs test them before you actually use them. Make sure they work. Always have a back up CD. (Most dancers I know bring an entire binder of music and check out the audience first before deciding on a final CD.) Use a sleeve to protect against scratching, cat hair or spilled soda. If there will be live music - ask what nationality music the band will be playing and for their contact information. It is helpful to get a possible list of songs from them in advance.
• Written record of booking by email, fax or letter. The bigger the party, the farther you have to travel or the more dubious the club owner, the more important this becomes.
• Contact info for the booker, who may not always be the customer or the one who pays you.
• Communicate what you need for your show: a space to change, room to dance (including a floor free of hazards), a CD player (if using prerecorded music), a mirror and secure storage space for your things. If you use a prop, also explain how much space you will need to avoid disasters.

Part 2 -Coming Soon!

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